He studied violin making under Richard Duke. It remained a treasured part of Betts' collection, but after the death of his son in 1852, the violin came into the hands of Hills of London and then a succession of distinguished owners. In some cases, the Library was unable to identify a possible rights holder and has elected to place some of those items online as an exercise of fair use for strictly non-commercial educational uses. Ward of London. Violin by Antonio Stradivari, Cremona, "Betts". They kept the company name but changed the labels to Arthur and John Betts. Betts hired many English luthiers that when on to achieve great success, including members of the Hill family (W.E. The violin is in exceptional original condition. Betts business became a focus for the market for old Cremonese violins. The Oberlin violin makers workshop has been in operation for fifteen years. Using another set of wood, also carefully selected, John, Steve Sirr, and Steve Rossow have completed another Betts copy violin. John Betts came from Stamford, Lincolnshire, and came to London in 1765 to apprentice with Richard Duke, rising to become the shop foreman after seven years, and eventually buying the business from Duke's daughter, reforming the company under his own name by 1781. . Article. If on the other hand, you are a person who cannot afford to buy such a violin, you might be able to actually own a fine violin which is very close, for a fraction of the cost. His own workmanship was replaced by the efforts of his many employees after Read more. You can find out the value of a Violin by John Betts and the amount you could expect if you sold your John Betts Violin at auction. By the time this fine antique violin was crafted in approximately 1820, John Betts was already able to look back on an impressive oeuvre. It was in this environment of exquisite craftsmanship that this violin was created a few years before John Betts death. photograph | 20 photographs : color | Photograph (Form). Article. He was born in 1752 in Stamford and died in 1823 in London. Please contact: Performing Arts Reading Room. He died in 1823, leaving the business to his younger brother Arthur, who learned the craft from him. In 1923, Jay C. Freeman of Wurlitzer approached Waddell in Scotland and came away with the "Betts" as well as the "Leduc" Guarneri. The varnishing was be done by Jeff Phillips and Antoine Nedelec in Oberlin. Next to that is a photo of the new copy. It was given the the Library of Congress in Washington, DC, along with several other Cremonese masterpieces, by the last owner, Mrs. Gertrude Clarke Whittall in the mid 1930's, and remains there today. Article. In the first instance, we suggest submitting good-quality images to us, preferably by email to info@ingleshayday.com or by completing the valuation form. Betts, the leading instrument dealer of his time in London, was one of the first to import Italian instruments. Betts Workshop Violin, London circa 1820. He moved to London at the age of 12 to apprentice with Richard Duke. (1752 - 1823) Little is known about the early life of John Betts, son of Edward Betts, a farmer from Stamford. He came to London to work for Richard Duke in Holborn in 1765. Ok, got it! His shop employed many of the best contemporary makers, including Joseph and Lockey Hill, and later Vincenzo Panormo and Bernard Simon Fendt. In 1765 he moved to London to apprentice with Richard Duke and after seven years he became shop foreman, eventually buying the business from Duke's daughter. The violin in the photo above has been sold. Items included here with the permission of the rights holders are indicated as such in the bibliographic record for each item. It was he who established the great Betts workshop in Holborn's Royal Exchange around 1782. Betts became known as an expert connoisseur and was partially responsible for developing the outstanding reputation of Stradivari instruments in London. The written permission of the copyright owners and/or other rights holders (such as holders of publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemptions. Steve Sirr and John Waddle have been CT scanning violins, violas, and cellos since 1989. Betts Workshop Violin, London circa 1820. , 1803Viola, John Betts We were allowed to play it. How much is my John Betts Violin worth? The next picture shows Stradivari's beautiful arching being re-created using our new process. He famously bought the 'Betts' Stradivari violin for the sum of one guinea from a naive customer around 1820. In addition to his work as a maker, Betts imported the highest-caliber Read More Italian instruments to London, and was partly responsible for the ascent of Stradivari's reputation to equal Stainer's in public opinion of the period. By this time, the family were well established as the leading London dealers of . Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. John died in 1823 and the shop continued as the centre of expertise in London, under his sons John and Arthur, until 1867. He came to London to work for Richard Duke in Holborn in 1765. Composite, newer top (19th century) original back and sides. John Betts. The Betts violin was the focus of the 2011 Oberlin Workshop, and John Waddle, Steve Sirr, and I were excited to have renowned makers such as Gregg Alf, Chris Germain, Bill Scott, Raymond Shryer, and Sam Zygmuntowicz join us in working on a group project creating a copy of the Betts, using a top, back, neck, and scroll that I had carved using CT . Some people have been surprised that modern violins could sound as good as a Stradivarius, but in three well documented tests now, this has been proven to be the case. Arthur Betts used the violin for the rest of his career. Length of back 35.4cm, stop 132/193mm Violin by Antonio Stradivari, Cremona, "Betts". It's questionable how many violins Betts himself made, but he employed an illustrious group of makers such as Tobin, Vincenzo and Joseph Panormo, both Bernard Simon Fendts and John Furber, along with other less well known names. Robert Somers Brookings, an economist, founded in 1916 what became the Brookings Institution, a respected private nonprofit public policy organization. Articles, - Betts Workshop Violin, London circa 1820. Article. The one inserted into the violoncello just referred to reads : One of the most important and influential violin makers in England in the eighteenth and early nineteenth centuries, John Betts was born in Stamford, Lincolnshire, in 1752. Web.. https://www.loc.gov/item/ihas.200155591/. He used two or three different labels. It was he who established the great Betts workshop in Holborns Royal Exchange around 1782. The Betts family name came to prominence in the violin making world thanks to the work of John Betts, born in Stamford in 1752. The last photo is a copy we made. We also have a selection of instruments and bows for private sale all year round. Traces of the compass points left when he marked the position of the lobes and nicks are still visible and can be seen using a mirror inside the top. Berlin, 10719 (1752 1823), Little is known about the early life of John Betts, son of Edward Betts, a farmer from Stamford. Article. , circa 1780Cello. Next to it is a CT scan of the back. JOHN BETTS, NO, 2, NORTH PIAZZA, ROYAL EXCHANGE, LONDINI, FECIT, JANUARY 9, 1782 Wurlitzer sold the "Betts" to John T. Roberts of Hartford, Connecticut, later acting as an intermediary in its sale to Mrs. Whittall. Kurfrstendamm 28 He made his own instruments as well as collecting and trading the work of old masters. They serve to improve service and provide a more personalised experience. Article. A CNC machine is a precision carving machine. Arthur managed the Betts shop after his brother's death in 1823, together with his nephew . Of the estimated 1,000 violins originally crafted . Once we have obtained CT scans of a violin and have chosen wood that matches the wood of the original, Steve Rossow can carve duplicate parts digitally, using his CNC machine. About the violin. John Betts was born in Stamford, England, in 1752. His shop was staffed by some of the best 18th and 19th century British craftsmen, including Vincenzo Panormo, Joseph Hill II, Henry Lockey Hill, Richard Tobin, Bernard Simon Fendt, and John Furber. We hold two auctions a year at Sothebys in London, generally in March and October. The "Betts" is among the most legendary violins from Stradivari's workshop. His refusal to allow Charles to profit from the purchase led to the partners falling out. Flagship Location 7711 Eastern Avenue Takoma Park, MD 20912 New Gaithersburg Rental Location 830 Muddy Branch Road Gaithersburg, MD 20878 A tradition of excellence since 1996 Call us for more information (301) 652-7070 1 (800) 317-9452 Hours Tues - Fri. Flagship Location: 10:00am - 6:00pm . A very successful employee, Betts assumed the role of shop foreman . . 1790 The oevure of John Betts began with his training under Richard Duke, one of the most highly esteemed English luthiers of the 18thcentury who passed his craft along to only three students: his son Richard Duke Jr., John Betts, and Betts nephew Edward Betts, who later worked at his uncles workshop; together they carried on Dukes great artisanal legacy within their own family tradition. The Library of Congress would like to learn more about these materials and would like to hear from individuals or institutions that have any additional information or know of their history. Brompton's reference library, in association with Claudio Amighetti, provides you with the price of a Violin by John Betts from Brompton's March 2012 auction results. In London, he apprenticed as a luthier with Richard Duke, one of the city's most notable violinmakers of the 18th century. Click the button below and we'll email you a link to generate your Tarisio password. John is also part of an ongoing collaboration with luthier Stephen M. Rossow, and Radiologist Steven A. Sirr, M.D., on a project that uses existing and emerging technologies to explore the structure of-and .
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